A watercolor painting of a ripe red tomato with a narrow wedge removed.

RIPE is a not-for-profit online literary journal of timeliness.

Not all fiction is meant to be evergreen. We publish microfiction of all genres addressing current events.

We crave stories with expiration dates; narratives that confront the world around us and live in the Now. We publish them before the news cycle has churned on.

Sink your teeth in. The time is ripe.

 

 WHAT WE PUBLISH

MICROFICTION of UNDER 500 WORDS in ANY GENRE inspired by CURRENT EVENTS:

NEWS ARTICLES

NARRATIVE ESSAYS

SCIENCE PUBLICATIONS

OP-EDS

MORE!

A RIPE story addresses, examines, questions, builds upon, complicates or reacts to the history of our world while it’s still in-the-making.

RIPE FICTION STAFF 

A photo of Kartika Budhwar sitting at the base of a large, mossy tree.
A photo of Jessica Luke García in a pub, sipping beer from a stout glass.

KARTIKA BUDHWAR lives in Houston,Texas. She is an editor at Ripe Fiction (hello!) and at the South Asian Avant-Garde Collective. She also moonlights as a PhD Candidate in Creative Writing and Literature at the University of Houston, an Imprint Fellow, and an educator for Writers in the Schools. You can find her fiction, nonfiction and poetry in Arts and Letters, Blue Mesa Review, and the Indiana Review, among other journals.

Find her on Instagram (@kartikalikesithere) or Twitter (@Kartika_Budhwar)

CURRENTLY CRAVING: Tell me an inconsolable story, a raucous story, a delicate story, a rude story, a well-crafted story, an anti-craft story, a true story. Tell me a story I’ve never heard before. Tell me the oldest story in the world. Tell it to me the way only you can. 

I love it when you give me prose that offers deep, loving attention to every sentence. Give me your sentences full of duendes, silences, and saturations. I love it when you give me what I never even knew I wanted. 

Break my heart. Make me angry. Make me cackle. Make me mourn. Make me marvel. Make me blush. Make me riot. Remake me. 

CAROLIENA CABADA writes fiction and poetry about extreme weather, volcanoes, and Filipino families. She teaches first-year composition and creative writing at the University of Nebraska-Lincoln, where she is also earning her PhD in English. Her fiction has been published in JMWW, Barren Magazine, and was selected for Best Small Fictions 2021. Find her @cecaroliena on Twitter and Instagram

CURRENTLY CRAVING: Stories that feature the forgotten, the overlooked, the marginalized. Stories that take a small happenstance and make me see how it encompasses the global. Stories that make the argument that every issue is the same issue, and reveals a connection where most people would see a gap. Stories that walk the line of prose and poetry.

I’m most familiar with realistic literary stories, but will gladly shout a well-written fabulist, magical realist, or solarpunk story from the rooftops.

 JESSICA LUKE GARCIA (any pronouns) is a nonbinary queer writer and editor of speculative fiction, horror and romance from the haunted borderlands of the rural American midwest. They currently live in Las Palmas de Gran Canaria, Spain with their husband, Erik, and Antigonus, a retired stray general/cat, where they drink wine in the ocean and ghostwrite smutty romance novels.

They can be found on Twitter and Instagram @10itemsorjess.

CURRENTLY CRAVING: Speculative futurism, New Weird interpolation, darkest timeline prophecies, cathartic splatterpunk and spiteful hopepunk. Tales of anti-capitalism, rebellion, revolution, and anarchistic fuck-you.

I’m a sucker for punchy opening lines and gut-punchy endings. Give me slick dialogue and slicker characters. Show me big-money moments preserved in amber: the decision that should never have to be made, the hard-earned triumph, the tailspin, the crash site, the aftermath.